org Excerpts from TheDutch Group Portrait* ALOIS RIEGL Translated by Benjamin Binstock When the young Rembrandt left wing his hometown of Leyden for a short time in order to carry by dint of what remained to be learned about his art in the studios of notable Dutch masters, the precocious youth did not seek out a city such as Haarlem-the home of Frans Hals, whom we are accustomed to seeing as the pioneer of Dutch greaseball pig painting at this time (the 1620s)-but Amsterdam. Here, it was likewise not the to the highest degree Dutch among the portrait painters, such as Werner vanguard Valckert or Thomas de Keyser, from whom Rembrandt believed he had something to learn, but Pieter Lastman, who had traveled to Italy. consequently the a ppear paradox that Rembrandt was the true It! alianist among his countrymen at that time. Among his numerous points of conjunctive with the Italian manner, the most important was his resolute embrace, from the outset, of subordination as a principle means of expression.l Yet Rembrandts ultimate endeavor was moreover the utmost realization of the external unity with the behold take that we have recognized as the indispensable...If you want to put down a full essay, order it on our website: OrderEssay.net
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